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This bestselling novel portrays the clash between two brothers amid the turmoil of postwar America. It’s “a book you can’t put down” (The New York Times).
�Siblings Rudy, Tom, and Gretchen Jordache grow up in a small town on the Hudson River. They’re in their teens in the 1940s, too young to go to war but marked by it nevertheless. Their father is the local baker, and nothing suggests they will live storied lives. Yet, in this sprawling saga, each member of the family pushes against the grain of history and confronts the perils and pleasures of a world devastated by conflict and transformed by American commerce and culture.
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A memorable novel by one of America’s greatest twentieth-century authors, Rich Man, Poor Man offers a gripping ride through America between the Second World War and Vietnam. It was made into one of the first primetime TV mini-series, and starred Nick Nolte, Peter Strauss, and Susan Blakely.
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This ebook features an illustrated biography of Irwin Shaw including rare images and never-before-seen documents from the author’s estate.
- Sales Rank: #20521 in eBooks
- Published on: 2013-02-26
- Released on: 2013-02-26
- Format: Kindle eBook
- Number of items: 1
Review
“Shaw whisks us off from a standing start to a velocity well beyond familiar limits.” —The New York Times
About the Author
Irwin Shaw (1913–1984) was an acclaimed, award-winning author who grew up in New York City and graduated from Brooklyn College in 1934. His first play,�Bury the Dead�(1936), has become an anti-war classic. He went on to write several more plays, more than a dozen screenplays, two works of nonfiction, dozens of short stories (for which he won two O. Henry awards), and twelve novels, including�The Young Lions�(1948) and�Rich Man, Poor Man�(1970). William Goldman, author of�Temple of Gold�and�Marathon Man, says of Shaw: “He is one of the great storytellers and a pleasure to read.” For more about Shaw’s life and work, visit www.irwinshaw.org. � �
Most helpful customer reviews
27 of 29 people found the following review helpful.
Like Fine Wine..........
By A. J., Lawrence
How often does one ever reread "popular" fiction? This novel has remained firmly ensconced in my memory, and, consequently, I decided to revisit it some thirty-five years later. Very quickly it became clear why I had never forgotten the book as it contains all the elements that can make "popular" fiction such an enjoyable experience: well written prose, a captivating plot, unexpected twists, and, ahem, scenes of substantial sensuality. I cannot recommend it too highly!
14 of 14 people found the following review helpful.
American Anthropology
By J. Greenberg
About a decade ago, a film called "Beautiful Girls" was released, which made reference to the outstandingly villanous qualities of Irwin Shaw's creation Falconetti in Rich Man, Poor Man. I was younger than 10 when the TV miniseries debuted, but I have vivid memories of my mother watching every episode religiously. The character of Axel Jordache stands out most prominently in my mind.
Well, it's harder than heck to find the miniseries on VHS, let alone DVD, but as fate has it, I have a copy of the novel in paperback. All 666 pages. Summer reading! It's a mixed bag, unfortunately, but still quite good overall.
I can't help but chuckle that I just read what amounts to a trashy summer read from 1969 here in 2007. It is not Shaw's best work by a longshot. I believe he excelled at the short story form (think "Girls in Their Summer Dresses"), and even The Young Lions was far superior to Rich Man, Poor Man. Taken as anthropology, I got a glimpse of what the previous generation, my parents' generation, read for entertainment. Not bad at all.
Shaw's use of three main characters is a bit difficult to get used to. I'm not surprised in the least that the character of Gretchen Jordache was eliminated from the miniseries completely. And frankly, she could have been culled from the novel as well -- the parts involving her were by and large extremely dull.
Puzzling to me was the character Falconetti. The way those characters in "Beautiful Girls" raved over his villainy, I was sure he would be remarkable. But Falconetti is the most minor character in the entire novel -- the miniseries writers who adapted the novel must have expanded his character, possibly to compensate for the elimination of Gretchen Jordache. This makes it clear to me that infinitely more people are familiar with the TV adaptation than the novel -- very understandable.
I think many people who read the novel only scratch the surface. The divergent paths of the Jordache brothers and their trials and tribulations are superficial. Each character in the Jordache family, and some of the supporting characters as well, represent a facet of American society. The mother, Mary Jordache, represents the Anglo-Saxon beginnings of America. By no accident, she is married to Axel Jordache, a German immigrant, with Germans comprising the largest number of immigrants from the late-1800s and early 1900s. Rudy represents the accession of big business in the post-WWII boom era, and Tom represents the working man exploited and suppressed by big business. Gretchen represents the evolving attitudes of sex in American society and the confusion that must have beset women as they struggled to find identity in the professional world and family life. A minor character such as Brad Knight was representative of wild speculation in business and the excesses of prosperity.
Very interesting to me was the character of Teddy Boylan (Te DdyBoylan, The Diablo, The Devil). Not subtly named, and with many overt references to his nature, Shaw's treatment of the devil as a mostly ordinary, ultimately irrelevant character is thought-provoking. All three of the main characters are influenced by the Devil -- Gretchen sleeps with him, Rudy vows to emulate him, Tom utterly rejects him, and it's no surprise that in the end, Tom has the most spiritually satisfying life, with a duration only slightly longer than Francis Macomber's.
By the time he wrote Rich Man, Poor Man, Shaw was already adapting his earlier works for the screen, and this novel often reads like a screenplay to its detriment. I suspect that watching the miniseries would be more enjoyable, but I have no regrets taking a week out of my life to read the novel.
14 of 14 people found the following review helpful.
A page-turner, hard to put down
By SusieQ
This novel's plot takes the reader through the highs and lows of the Jordache family, from 1945 to 1968, through the lives of its cleverly drawn and vigorous characters.
Most of the plot is propelled by Rudy Jordache's rise from a slummy district of a small upstate New York town to wealth and the beginnings of a political career, but for me the most sympathetic character is Tom Jordache. Tom, after a life of being knocked around and ending up in trouble, finally wins out over his unloved beginning; wins out over his "whole rotten life" (as he calls it, in a conversation with his uncle), and finds a measure of peace. Gretchen and Rudy, his sister and brother, are less admirable, but somehow the reader doesn't despise these characters; all the siblings are ably and realistically drawn, and their stories are consistently interesting.
I don't look for deeply profound 'meanings' and revelations in bestselling books like Rich Man, Poor Man; just a good story well told. It's a big, robust, multi-generational family saga, and Irwin Shaw tells it excellently.
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